The DCEU certainly had their fair share of trouble along the
way. As the Marvel Cinematic Universe (MCU) continues to make an expansive
cinematic library of Marvel's superhero adventures available to moviegoers
everywhere, the DCEU will bring its own set of costumed heroes and superhumans.
trying to catch up with the realm. The studio, which is owned by Warner Bros.
Pictures, is struggling to find a winning formula for transforming his DC comic
of the superhero into a cinematic endeavor that moviegoers will enjoy. This was
evident in 2016's Batman v Superman:
Dawn of Justice, his troubled take on Suicide Squad in 2016,
and his disappointing spilled choice in his Justice League presentation in
2017. Well known. This further extended to other ventures such as 2020's Birds
of Prey and 1984's Wonder Woman, which faced very different opinions from
critics and moviegoers, causing future projects to be postponed, shuffled and
shelved. Even faced with the DCEU shock. Totally (currently unreleased Batgirl
movie). That said, the DCEU is starting to find its groove, especially after
the release of Wonder Woman 2017, Aquaman 2018 and Shazam 2019. We found these
feature films to have their own majesty and charm that worked in both the
storytelling of the film and the entertainment of the audience.Now, following
Suicide Squad's more affordable 2021 release, Warner Bros. Studios and director
Jaume Collet Serra are gearing up for the next DCEU installment with the
release of Black Adam.
THE
STORY
In the middle eastern country known as Kahndaq, the
villainous crime syndicate called Intergang has claimed the land for their own,
putting the locals under their control as they harvest their natural resources,
including Eternium. Young boy named Amon (Bodhi Sabongui) wants to push back
against the invaders of his homeland by causing trouble, while his mother,
Adrianna (Sarah Shahl), is an archaeologist is in search of the fabled Crown of
Sabbac, a magical object that's capable of bringing the wearer tremendous
power. While searching for the crown in a nearby crypt, Adrianna also uncovers
an ancient tomb, and when threatened with encroaching Intergang enforcers, she
manages to free Teth-Adam (Dwayne Johnson), a being from the ancient world that
has been imbued with incredible superpowers, from his slumberous prison.
Returning to Kahndaq, Amon tries to encourage Teth-Adam to become a hero for
the people, with the recently awakened man's god-like strength and Shazam magic
easily defeating aggressors. Investigating this strange arrival is the Justice
Society, with superhero veterans Kent Nelson / Dr. Fate (Pierce Brosnan) and
Carter Hall / Hawkman (Aldis Hodge) leading the charge as well as recruit
newcomers Maxine Hunkel / Cyclone (Quintessa Swindell) and Albert “Al”
Rothstein / Atom Smasher (Noah Centineo) are tasked with deciding just how
dangerous Teth-Adam truly is. Unbeknownst to all factions, another faction
seeks the crown of Sabacc and seeks to control ancient power and nightmarish
consequences.
Pro’s
and Con’s of the Movie
It's very easy to point out that the differences between the
MCU and DCEU have been. It's basically night and day type of experience, with
one studio finding its rhythm (albeit formulaic in some regards) yet proving to
be effective, while the other struggles to find its stride. Yes, I'll admit
that I did like Man of Steel (probably one of the select few who did) as well
as Wonder Woman (love actress Gal Gadot as Diana Prince) and Aquaman (the sheer
epic scope of the feature is amazing), but the DCEU has been problematic with
their other release (i.e. Batman v Superman:
Dawn of Justice, Suicide Squad, Wonder Woman 1984, and
Justice League). Those features, while promising with plenty of superhero
nuances and inherit hype from its pre-release marketing, didn't exactly match
up to what many (including myself) expected, which is reflected upon the
feedback from moviegoers and the “behind the scenes” shake up of the franchise,
leaving the continuation of the DCEU in a somewhat ambiguous limbo state, which
is in contrast to the how the MCU is presenting its feature films. Yet, some of
their recent endeavors have barked a bit up fruit than others, including the
much more favorable representation of the Suicide Squad in the 2021 film as
well as the vastly superior director's cut of Justice League in 2021's Zack
Snyder's Justice League. Ultimately, it's hard to tell what direction Warner
Bros. Studios plans for the DCEU. Especially since the company is merged with
Discovery. Let's hope for the best results!
There are a few storytelling beats and elements that do
technically work in Black Adams's narrative, with Collet-Sera staging them for
some poignant mean Of course, I do like the whole “hero awakening in modern
day” of which the movie that heavy uses when Teth-Adams awakes in present day
Kahndaq and seeing him interact with modern technology and objects. Of course,
this particular usage has been many times before, but the execution of it all
is amusing to watch in the film as a fun gag of sorts. Of course, I do like the
more fantastical fantasy elements of superhero features, with Black Adam
heavily steeped in that notion, with plenty of mystical vistas, powerful
beings, and the usage of magic. I've always gravitated towards movies like that
and, while not super exciting as other endeavors, I still appreciate the movie
embracing that fantasy superhero element. As for the emotional part, I did like
how Collet-Sera stages a few one of them as well as few poignant means,
including why the JS (or any other superhero for that matter) haven't stepped
in to stop the Intergang organization from oppressing the people of Kahndaq,
but only came to the war-torn country to stop Teth-Adam. It may be a small plot
to discuss and explore, but I like it and it raises interesting questions about
the nature of superheroes and what they think are worth getting involved with.
In the presentation category, Black Adam meets the industry
standards demanded by modern superhero blockbusters. It retains the tradition
and spirit of comic book movies while not pushing the boundaries of modern
comic book movies. Of course, it's kind of interesting to see that most (if not
all) of the film takes place in a Middle Eastern country (Kahn Duk) rather than
the typical "big city" of the United States. While we tackled the
subject matter, I liked that Black Adam had some prominent key characters
played by Middle Eastern talents. , with the ruined cityscape where many of the
film's battles took place, and it's fun to watch all the action scenes. It also
includes some great locations that use (again) the fantasy elements of the film
to help build the ancient powers at work from the old world. The film isn't
perfect, but credit must be given to the film's "behind the scenes"
crew, including Tom Meyer (production design), Larry Dias (set decor), and Kurt
and Bart (costume design). , and the entire art direction department.
Additionally, Lawrence Sher's camerawork has some good moments that help build
the dramatic cinematics throughout the film. later). Finally, the soundtrack
composed by Lorne Balfe is actually pretty good. Loaded with plenty of stomping
bombast and some quiet, sing-along suites that help build more dramatic and
uplifting moments, there's a lot to like - a pretty solid score from Balfe.
Additionally, the film makes heavy use of classic exhibition
sequences to give us (the viewers) a quick understanding of what is happening
in the world of the film. Still, using such long exposition moments can be
exhausting, especially in the opening part of the film where Black Adam does
this. Getting to "potatoes" was extremely tiring and tiring. What was
presented felt rather cheap at times. I'm not saying every line of dialogue was
bad or terrible, but there were more than I expected. This actually hints at
some of the film's more comedic and dramatic scenes, with some of the jokes and
gags (dialogue-driven) being off-kilter, less funny (at all), and more
"heavy" (monologues/ Character) There are also moments) It feels
clunky and wooden.
Another big issue is how films are recycled (both in the
superhero movie category and in their own aesthetics). As? From a superhero
movie standpoint, Black Adams feels very dated, with plenty of familiar beats
in the origin story of classic comic book characters. Yes, I think superhero
movies are still "all the rage" and origin feature films are still
fairly common, making heavy use of these plot points as a way and means of
introducing a particular super. Apart from that, Black Adam presents familiar
beats but doesn't really mix more modern styles, or (for that matter) anything
really creative. For what it is, the movie feels quite dated, especially since
superhero movies have evolved into the "Golden Age", but it was made
before and with better storytelling platforms. Although there is a formula for
it, it incorporates a bit more sophisticated flair in its creation (story,
characters, drama, etc.). Black Adam felt like it was made in the mid-2000s...
It goes back to a time when superhero movies were trying to grab attention,
even before Iron Man and The Dark Knight came out in 2008. I know that we (as
viewers) are a little spoiled with comic book superhero movies, but Black Adam
really stands out in this modern cinematic landscape compared to other
releases. I'm tall and I'm not proud of myself.
As for his own aesthetic, Black Adam feels recycled in many
of the various fight sequences, and Colette Serra tweaks the paralysis effect
in some story beats. As? Well, it was pretty cool seeing Teth-Adam fight (and
easily defeat) his unnamed hordes of Intergang Enforcers for the first time.
Movement…. This is a bit drab and numbing to watch. The same can be said for
Justice Society's involvement in the film, as it appears in the film with the
intention of stopping Teth-Adam. It was cool at first, but after watching it
over and over again, it became tiring and numbing. and Colette Serra's
ignorance of how to make an impactful and entertaining superhero box office
hit. I must point out that there are Yes, this particular technique is nothing
new or revolutionary, as it has been used many times for dramatic effect in
movies, but Black Adam uses it so often that almost every scene This also
brings in the cinematography of Lawrence Sher playing a bit of Black Adam and
Zack Snyder's 300 mantra...and connects nicely with it. Is not. That also
doesn't negate the film's CGI visual effects shots. This is combined with some
glaring quirks of poor green screen effects ranging from good to mediocre, and
computer-generated constructs whose integrated presentation is a bit crude.
Of course, directors have to walk a fine line with superhero
movies... Giving too little results in less excitement, while giving too much
results in pure action without substance. Unfortunately, Black Adam leans
towards the latter, and while the bloated action is cool and visually
interesting, it doesn't really challenge the status quo for superhero movies
and blockbusters. The feature is most noticeable in the third act, when the
battle reaches its climax, and there's just too much CGI to feel like a video
game cutscene. Some elements definitely work in this particular part of the
film, but it still feels very hollow and doesn't quite have the same kind of
impact it was intended to have. The end result is a lack of heart and emotion
that makes Black Adam's ending feel redundant and far less interesting than
other DCEU efforts (like 2016's Suicide Squad). Adam's cast is a mix of good
and bad, with some recognizable acting talent associated with this superhero
blockbuster, but most of the characters themselves are a cinematic portrayal of
an immature figure. seems a bit corny or just plain wrong. Universal. Perhaps
the strongest (literally) and most memorable character in the big picture is
the main character, who leads Black His Adam as headliner. Yes, I'm talking
about Dwayne "The Rock" Johnson in the lead role of Teth-Adam's
antihero. Known for roles in Moana, Central Intelligence, and Jungle Cruise,
Johnson has certainly been in the film industry for quite some time. and has
always made a name for himself as a "larger than life" actor. Various
action characters and/or comedy movies. You can call it "typecasting",
but Johnson is always up to the task and good at delivering his lines....even
if some are silly. So it's no surprise that Johnson would be a perfect match
for a superhero as powerful as Tess Adam. As mentioned earlier, Johnson has
wanted to be on the project for quite some time, so it's easy to see that he's
enjoying his time on the film. Physically…. He looks like Johnson's massive
physique, which definitely helps make the character intimidating with his
various superhero powers.He loves playing Adam and is fun to watch.
Of course, character restrictions are very noticeable.
Especially considering he's very stoic and stone-faced about many of the
situations and characters he interacts with. So Teth-Adam's "human"
part could have been handled better, and Johnson, who's always good at
delivering big, brazen moments, looks a little weaker than intended.
Regardless, what is shown works, and it's easy to see Johnson enjoying such a
superhero role. There's no denying that he's Black Adam's main attraction, and
he sums up the role perfectly. Let's hope he returns for future DCEU projects.
I'd love to see him compete with Cavill's Superman, Gadot's Wonder Woman,
Levi's Shazam, and more.
According to Dr. Brosnan.Fate is the next JS character
Carter Hall/Hawkman, the winged leader of the JS, played by actor Aldis Hodge
(Brian Banks and TURN:
Washington's Spy). Hawkman gets plenty of screen time, and
Hodge is tasked with making the most of his time as a nobler, righteous
superhero in Black Adam.... What is Johnson's Teth-Adam? A little opposite.
Also, it would be nice to see the Hawkman character appear in a live-action
DCEU feature film. He gets a little bit of redemption and understanding in the
second half, but then Black Adam starts to go a little numb, making Hodges
Hawkman pretty direct and taking a backseat.
Unfortunately, the other two JS characters (Maxine Hunkel
/Cyclone and Albert "Al" Rothstein/Atom Smasher) are the actress
Quintessa Swindell (Trinkets and In Treatment) and actor Noah Centineo
(The Perfect Date and The Recruit). , was terribly underdeveloped in the film
and basically should have been written out completely. From a visual
standpoint, the force of the cyclone's wind is captured with dramatic flair and
the growth/size of the Atom Smasher. The difference between is played out in a
funny laugh, and both characters are given plenty of expression.But her
character itself simply doesn't exist, she exists only to ride Black Adam.
Hell, Cyclone has Given nothing to accentuate her personality, Atom Smasher
does add a few comical moments of relief, but it's a bit hit and miss. So it's
a shame there isn't much material for Swindell and Centineo to play with.
Unfortunately, the rest of the non-superhero characters in
the movie fare actual worst and end up being quite “cookie cutter” caricatures
that are incredibly one-dimensional. As stated, I do appreciate the Middle
Eastern acting talent is being represented in movie as the various characters,
but that still can't hide the fact that these characters are poorly written and
just mediocrely played on-screen. This is perhaps best one of the group would
be the character of Adrianna Tomaz, an archaeologist of Kahndaq who is looking
for the Crown of Sabbac and aides Teth-Adam throughout the movie, who is played
by actress Sarah Shahl (Alias and Fairly Legal). The character has some
interesting moments in the film and definitely is presented as the strong
female archetype of which Shahl does sell. However, that still doesn't make the
character memorable and slowly becomes quite “cookie cutter” as the narrative
progresses forward in the picture; making Adriana just as vanilla as when she
was first introduced.
What really did the worst (in my opinion) was the character
of Adriana's son Amon Tomaz, trying to make Tess Adam the hero the people of
kandaq needed. main event). why is he doing the worst? Well, because that's a
common thing in movies. He's an annoying hyperactive boy who befriends the main
character and tries to guide him on the right path (or at least try to do so).
It's a very clichéd character, and Sabongi has the right amount of energy for
such a character, but the character itself is very boring and simplistic,
acting like a plot device to push events forward. I'm here. So Amon's character
is redundant and downright generic. The same goes for the supporting role of
Adriana's brother, Karim Thomaz, played by actors Mohammed Amer (Mo and Ramy).
His character is (in a way) meant to be a sidekick character and has a lot of
comedic dialogue, but the actual comedy and how it's delivered is pretty flat
and boring. This makes Karim's character rather boring and unmemorable...the
script tries to make him memorable.
Perhaps worse than everything else, the film's actual main
antagonist is Adriana's colleague seeking the crown of sabacc, actor Marwan
Kenzari (Aladdin and the Old Guard) for his own ambitions. Character of Ishmael
Gregor. Unfortunately, the film makes this villainous character so boring,
generic, and blunt that it comes off as a terrible cliché. He actually does a
good job with his acting talent. Also, the movie immediately plants him as a
villain, but the writer and director of the movie try to hide this fact, making
him completely redundant. Just a clichéd villain, with a lame backstory and an
even more lame character presence.
Actor Djimon Hounsou as the wizard Shazam (Gladiator and
Blood Diamond), actress Viola Davis as Amanda Waller (The Woman King and The
Fence), actress Jennifer Holland (Peacemaker and Brightburn) Email as Harcourt.
Again, most of these cameo appearances are minor, but they definitely build a
sense of continuity that Black Adam is part of the larger DCEU universe. There
is an Easter egg scene in the closing credits (mid-credit point) of . It's
probably my favorite part of the movie. Of course, I don't mean to spoil it for
the reader, but I envisioned characters other than those with whom Black Adam
briefly interacts. The people he interacted with in person were amazing, and I
got a little excited about what might be coming to the DCEU in the future.
FINAL
THOUGHTS
You have two choices:Be the destroyer of this world, or be
the savior. It's up to you!" Questions for Teth Adam, who must wake up
from his slumbering prison and learn how to save the people of kandaq, or star
as their destroyer in the movie Black Adam. A great and powerful anti-hero
character from the DC Comics series, it presents an origin story that serves as
an introduction to the DCEU's title characters. . In particular, lack of
narrative content, chaotic (and outdated) storyline, recycled ideas, abuse of
technical effects, some rushed graphics, boring antagonists, mundane final
battle, personally Unforgettable characters, sick of this movie can be
misleading, especially considering this particular superhero movie is heavily
touted as the expected movie in the DCEU. There are certainly moments here and
there and I liked Johnson leading the way, but the rest completely backfires
and is incredibly sad. Calling it my least favorite DCEU so far...and that
includes 2016's Suicide Squad. Couldn't find it...so my recommendation for this
movie is a definite "skip" as the audience may be interested in
seeing it. The film's ending hints at the continued involvement of Johnson's
Black Adam as part of the future DCEU. Ultimately, Black Adam is a lumbering,
recycled, dated superhero that does little more than introduce Johnson's Adam
into the larger cinematic universe of DC heroes and villains. and has no
substance!
Reviews
Black Adam
scored 40 percent on Rotten Tomatoes.
Black Adam scored 7.1 out of 10 on
IMDb.
Black Adam
scored 41 percent on Metacritic.
Black Adam is
124 minutes long and is rated PG-13 for sequences of strong violence, intense
action, and some language
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