Tag Archives: Marvel Cinematic Universe
We are at the point of the Marvel Cinematic Universe, which is just as important as where the movie is set. Earlier MCU outings flagged 1942, 1995, 2023, and everywhere in between. More specifically, who is alive (not to mention who has the say) depends on each jump in the timeline. So when the adventure begins, it can tell the audience a lot before the story begins.
Therefore, Black Widow is set very carefully after the Captain America event: Civil War (or most of them anyway). The story is taken when the Avengers have just witnessed the division of the family in which Natasha Romanova was found, when the Avengers split over the Sokovia agreement. Her division makes it even more difficult for her to agree to another person's division-a group of secret Russian spies she lived with as an American child.
juxtaposition is smart. Romanov's first solo film (despite the character's 2010 debut) focuses on the spy family to the east of the superhero family, both of which are discussed here. Looking back at Natasha in Black Widow, she returned to the old irony and rediscovered the particular loneliness and dissatisfaction that gave her a sense of belonging after the collapse of the Shield and eventually the superhero group. This loss puncture wound makes it easy for her to dismiss her old family as invalid. This is a judgment supported by the fact that she was originally forced by malicious authorities.
Natasha has to confront those feelings as part of her past turns her ugly head behind her. It turns out that there are still a large number of villain General Drekov who ran the Red Room program that abused Natasha and her hundreds of people. To find him and stop his plot altogether, Black Widow needs to reconnect with her sister Jelena, another "graduate" of the program, and visit her parents: a former super soldier of defamation. The final form filled by Alexei and Milena Natasha, who is a veteran spy himself.
Of course, this is still a Marvel movie, so Cate Shortland sprinkles a lot of fierce battle scenes, bold escapes, and fierce explosions. Combat style will be known to anyone who has seen Romanov in the movie "Winter Soldier," where Black Widow gets a lot of clues. That is, there is a mysterious masked super soldier named Taskmaster infested with our heroes. This barbarian, like Bucky in front of him, is also used by the power of the shadows, subject to the same insidious abuse and conditioning that Natasha himself endured, making combat more difficult.
But along the way, the draws as much from the oversized plot of the old-fashioned James Bond movie and the shaky camera strength of the Jason Bourne movie as much as it got from the MCU's own past victories. Dust Cloud suffers from the same random and fast geography as most high octane combat movies these days. However, Shortland and the company have put together some exciting set pieces that are filled without enough humor and suspense to emphasize the first battle. Act III is full of such fireworks, weakening catharsis in the twelfth explosive set piece. Although not revolutionary, headbashing and bullet firing are cleverly scattered, giving Black Widow a proper butt kick exit from the Uber franchise. 
Worth praise, the script (written by Eric Pearson based on the story of Jac Schaeffer and Ned Benson) also got the character of Black Widow. The dialogue retains its painful and concise attitude, obscuring the deeper pain and guilt beneath it. Her more subdued influence goes well with the powerful performances of Florence Pugh, David Harbor and Rachel Weisz. These are more direct and expressive than the traditionally snug Romanovs. Scarlett Johansson gets the opportunity to emote when it matters, and Natasha begins to wipe a little more red from her ledger. But those moments empowered her through the restrained presence of her character and her resistance to accepting her surrogate mother, father, and her younger siblings.
Along the way, Black Widow tends to keep talking to Nudniks until she hears what she needs. She still knows how to pull off combat Harikan Lana like anyone's business. And finally, she mixed her relentless determination and humble empathy to make her character an indelible part of the Marvel Family and ultimately her own. Many of the Black Widow rely on that concept.
The mission at the heart of the movie is familiar. Stop the latest evil jerks, capture the weak and correct what went wrong with burning glory. But now, Natasha's story pervades the question of whether this quest allows her to reconnect with one family, which helps her do the same for another. I have an implicit hope that it may be. The movie bounces off Black Widow's big sacrifice in the endgame, as the character had an unfinished business both in space and in a more metatextual sense. The series of emotional tones she had played so far did not completely blend into her melody.
Her long-awaited solo appearance gave Natasha Romanova her satisfying final ride quality at the MCU, fixing it while consolidating her position among several important families in the process. increase.
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